约翰·狄克森·卡尔（1906－1977） 史上最伟大的推理小说作家之一，举世公认的“密室推理之王”。其小说素以公平著称，线索隐蔽，解答惊人，具有超乎寻常的逻辑性、趣味性。他一生共设计了超过五十种密室，几乎每个都是构思精巧、无以复加；又兼其小说一贯具有的浓郁哥特风格，以及 其谋篇布局的架构能力之强，自会让读者大呼过瘾，竞相传读。读推理，岂能不读密室；读密室，岂能不读卡尔！

A dangerous alliance between a Vampyre bride and an Alpha Werewolf becomes a love deep enough to sink your teeth into in this new paranormal romance from the #1 New York Times bestselling author of Love, Theoretically and The Love Hypothesis. Misery Lark, the only daughter of the most powerful Vampyre councilman of the Southwest, is an outcast—again. Her days of living in anony...(展开全部)

本书收录了中平卓馬2003年在横滨美术馆「原点回归─横浜」的展览之后，直到2009年的彩色摄影作品。作品探索了城市以及自然空间的各个角落。铺满画面的作品展现了小而特别的微世界：植物、动物、人、物品皆为对象。（简介转自出版机构假杂志）

马歇尔·麦克卢汉（1911—1980），信息社会、电子世界的先知，20世纪的思想巨人。他一生勤于学问，拿了百个学位，写了十余种书 ，留下几百万珍贵的文字，代表作有《机器新娘》、《理解媒介》、《谷登堡星汉璀璨》等。他一生完成了几次重大的学术转向，从工科转向文学、哲学、文学批评、社会批评、大众文化研究、媒介研究，成为多伦多传播学派的旗手和主帅。他提出的“技术媒介决定论”、“地球村”等理论，给人文学科留下了一笔丰富的遗产。他的思想现在仍然对若干学科产生影响，尤其是对媒介研究、现代艺术和符号学产生着重大的影响。

A new edition of Stella Bruzzi's introduction to contemporary non-fiction film. The author addresses key issues within documentary film-making, such as performance, gender, authorship and narrative, and discusses the work of leading film-makers, including Michael Moore, Nick Broomfield and Errol Morris.

In this double-volume work, a great modern philosopher propounds a system of thought in which Einstein's theory of relativity is regarded as the natural progression of the motives inherent to mathematics and the physical sciences. Includes such topics mechanism and motion; Mayer's methodology of natural science; Richter's definite proportions; Einstein's relativity and "reality...(展开全部)

In this double-volume work, a great modern philosopher propounds a system of thought in which Einstein's theory of relativity is regarded as the natural progression of the motives inherent to mathematics and the physical sciences. Includes such topics mechanism and motion; Mayer's methodology of natural science; Richter's definite proportions; Einstein's relativity and "reality...(展开全部)

马歇尔·麦克卢汉（1911—1980），信息社会、电子世界的先知，20世纪的思想巨人。他一生勤于学问，拿了百个学位，写了十余种书 ，留下几百万珍贵的文字，代表作有《机器新娘》、《理解媒介》、《谷登堡星汉璀璨》等。他一生完成了几次重大的学术转向，从工科转向文学、哲学、文学批评、社会批评、大众文化研究、媒介研究，成为多伦多传播学派的旗手和主帅。他提出的“技术媒介决定论”、“地球村”等理论，给人文学科留下了一笔丰富的遗产。他的思想现在仍然对若干学科产生影响，尤其是对媒介研究、现代艺术和符号学产生着重大的影响。

What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and inno...(展开全部)

What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and inno...(展开全部)